STUDIO SETUP
What goes into making the photos.
The best part of the arts is when you get to see how it's done, the reveal of the magic trick, the ideal output, and what went into making it happen. They say a picture is worth a thousand words, but they may not say a thing about what they hide.
Large white fabric used as the surface and backdrop for 1/18 models.
When working with the large models, having a backdrop large enough to capture a wide shot without having the edge of the backdrop showing up in the picture. Ensure there is a room large enough to set up the backdrop sheet. It's safer to go with more material than to have too little. A desk lamp is proves to be more than enough to produce sufficient lighting, and having a white backdrop makes it easier to lighten up the overall shot.
Small set for 1/64 model presentation.
Aside from photography, I also enjoy the niche hobby of modifying small diecast cars. They are presented in a garage environment just like how real cars emerge from the cosmetic body shop. To differentiate my garage diorama from other hobbyists, I opted to present every background element in a single neutral colour. By doing this, the focal point of the photo is automatically put on the newly finished work. The background elements will still continue to give the impression of a garage, but it won't compete for attention.
Diorama segment in conjunction with a projection screen to create the illusion of a real landscape.
While other enthusiasts pursue a complete diorama, I opt to create only a portion of an environment in the interest of reducing storage space. A trick I love using is projecting a landscape photograph on a display screen to mimic a real environment. By finding an optimal camera position, I can make it appear as if my diorama is at the top of a hill or mountain, where I can also get a distant view of the valley behind.
What goes into making the photos.
The best part of the arts is when you get to see how it's done, the reveal of the magic trick, the ideal output, and what went into making it happen. They say a picture is worth a thousand words, but they may not say a thing about what they hide.
Large white fabric used as the surface and backdrop for 1/18 models.
When working with the large models, having a backdrop large enough to capture a wide shot without having the edge of the backdrop showing up in the picture. Ensure there is a room large enough to set up the backdrop sheet. It's safer to go with more material than to have too little. A desk lamp is proves to be more than enough to produce sufficient lighting, and having a white backdrop makes it easier to lighten up the overall shot.
Small set for 1/64 model presentation.
Aside from photography, I also enjoy the niche hobby of modifying small diecast cars. They are presented in a garage environment just like how real cars emerge from the cosmetic body shop. To differentiate my garage diorama from other hobbyists, I opted to present every background element in a single neutral colour. By doing this, the focal point of the photo is automatically put on the newly finished work. The background elements will still continue to give the impression of a garage, but it won't compete for attention.
Diorama segment in conjunction with a projection screen to create the illusion of a real landscape.
While other enthusiasts pursue a complete diorama, I opt to create only a portion of an environment in the interest of reducing storage space. A trick I love using is projecting a landscape photograph on a display screen to mimic a real environment. By finding an optimal camera position, I can make it appear as if my diorama is at the top of a hill or mountain, where I can also get a distant view of the valley behind.